Waves ssl plugin full#
It’s a sleek digital interface full of sliders and displays. Unlike many of the other compressors on this list, TrackComp’s interface looks nothing like an analog compressor.
Not to mention that it’s a steal at this price! DMG Audio TrackComp ($99 ) The additional features like fully variable controls, and extended attack, release and ratio options make this unit even better than the original in some ways. If you’re strictly looking for a straightforward and simple-to-use SSL G-series emulation, BussPressor may be one of your best options. Unlike some of the other plugins on this list, BussPressor still includes the auto release feature found in the original, while adding modern functionality with a side-chain high-pass filter and wet/dry controls for easy parallel compression. PSP’s BussPressor keeps the straightforward and simple design of the original SSL bus compressor and adds on extended, fully variable controls for attack (up to 100 mS), release (3 S), and ratio (1.5:1). Key Features: Fully variable controls, extended attack and release times, additional ratio options, side-chain HP filter, wet/dry mix.
Winner: Best Straighforward SSL Emulation There are quite a few options to look at, so we’ll start with my own personal top 3, followed by all of the other top-tier options out there (in no particular order).
You may find-as I did-that all of the plug-ins on this list offer highly-accurate emulations of the original SSL-G, so the biggest practical difference between each unit may be the additional features they offer you. So you can hear the sonic characteristics of each emulation for yourself, we’ve included samples with moderate compression on the drum bus, extreme parallel compression, and moderate mix bus compression with each plug-in. In this roundup, we’re going to break down the very best SSL G-Series bus compressor emulations out there to help you determine which plugin is right for you. While countless plug-in manufacturers have emulated this coveted compressor over the years, many have chosen to expand upon the limited controls of the original with more modern renovations and new features. The original SSL G had fixed selections for attack, release and ratio, along with continuous controls for threshold and make-up gain. Known for its punchy, transparent tone and its ability to “glue” tracks together, SSL’s G-Series bus compressor offers what is easily one of the most sought-after sounds in modern mixing for making a mix feel “finished”. Perhaps its most charming feature is its bus compressor-especially the version found in the classic G-Series consoles. I think Native Instruments also has their Solid Buss Comp for free.The SL 4000 from SSL could be considered the quintessential analog mixing console. They’re fully functioning so you can get a lot of mileage out of them and decide for yourself. If you’d like to try another version and see if it works better, I’d recommend trying the 2 week demo from Plugin Alliance and seeing if that suits your needs. Maybe also try adding a transient shaper in your chain if you think they sound a little too squished after running the buss compressor on them! I’d definitely try playing with the settings a little more and see if you can get a sound that you like, I usually use the auto release & slower attack times for gluing. Definitely better than Waves to my ears, though I have seen some who still prefer the Wave’s version so YMMV.
The SSL Native Channel strip and Bus Comp were on sale for Valentine’s Day and I decided to switch from the Waves versions.